Category: Personal

  • Taking Off the Training Wheels

    Sometimes I’m asked to write a few words on a particular subject or another. The crew at Bike Hugger once again gave me the opportunity to do just that for their digital magazine.

    “When I was a boy of 14, my father was so ignorant I could hardly stand to have the old man around. But when I got to be 21, I was astonished at how much the old man had learned in seven years.” – Mark Twain

    It’s amazing what your kid can learn, especially when the knowledge comes from others. Sure, my five year-old son is watching and absorbing a vast array of my own unfortunate behaviors — some of my more colorful language for example. But as soon as I rightfully took his training wheels off in an effort to teach him to ride a bicycle, he looked me straight in the eye with a “you’re unqualified for this” stare. And I’m concerned he might be right.

    As a result of our modest progress, I signed him up for a “Biking Class for Kids” with a local shop. On the subject of removing his pedals to first perfect his balance, perhaps he would trust Cindy, the professional mountain biker he met just three minutes ago, more than me.

    “You become a parent thinking you’ll teach your kids, but you soon discover they are the ones doing the teaching.” – The best advice my dad ever gave me (outside of how babies are made)

    The bike class occurred the day before his very first day of kindergarten. Life transitions abound. The thing no one tells you when you become a parent is how vulnerable you will become. How emotional you are when all your childhood fears and traumas of youth spill out. Your heart aches for what is ahead, as you can only protect them from so much.

    “Dad, what if I crash?”

    “Well, sometimes that might happen. But it’s how you’ll learn to become a better rider,” I explain.

    We buy a set of elbow and knee pads.

    “Dad, I’m scared of crashing.”

    “That’s okay… that’s normal. I was okay after I crashed in that race. Remember?” Come to think of it, I wasn’t.

    “Then can I get some gloves like you, Dad?”

    After quite a search for the right size, we buy a pair of gloves with flames on them.

    “You know, it was just so interesting to me that a ride could make me so frightened, so scared, so sick, so excited, and so thrilled all together! Some didn’t like it. They went on the merry-go-round. That just goes around. Nothing. I like the roller coaster. You get more out of it.” – Grandma from the 1989 film, Parenthood

    “Put on your helmet,” I remind him for the seventh time. A lucky number.

    He builds up some speed, my hand on his back. His feet on the rotating pedals now. A gentle push.

    The letting go.

    He rides on his own about 30 feet down the sidewalk, loses his balance and topples hard on the concrete.

    My heart skips a beat.

    How we recover from the crashes in our life make us who we are. I’m at once terrified, proud and excited to see what he does next.

    Photo by Adrienne O’Keefe.

  • Dadtalk

    I am very honored to have participated in the latest Dads.Co podcast with Aussie and super-nice-guy Murray Galbraith. I could have rambled on with Murray for hours, but fortunately he kept me in check at about 45 minutes. You can subscribe and listen via iTunes.

    Some of the topics we discussed: SXSW, The Tour De France, Apostrophe Industries (my new consulting company), Rock That Font, The American Analog Set, littleBits, Sparkfun, Adafruit, Austin’s Pixelwood Derby, Knight Rider, The Internet of Things, Google buying Nest Labs and the future of your connected home.

  • A Chapter Ends, Another Begins

    Today is my last day in the SXSW office.

    After 14 years, I’ve decided to open a new chapter in my life and embark on an unknown adventure.

    I first heard mention of SXSW as an aspiring musician in my early 20s. During my only experience busking on 6th street on a particularly warm Saturday, I was courted by an LA-based producer who explained there was a music industry conference and festival going on. He repeated the name of the event three times before it stuck: South by Southwest.

    He had never heard of my then-favorite-band Guided by Voices, a fact I used as a good excuse to not send him any kind of demo. I knew in my heart it wasn’t the right opportunity, but I now know that I let the fear of failure get the best of me. This was around the time that Andrew Kenny brought me into the American Analog Set family, and I am indebted to him for those years that I toured with the band. I saw the country. I shook hands with many of my musical influences and heroes. I went about my youthful ways.

    A couple of years later, while finishing up in the Communications / New Media program at UT Austin, a teaching assistant recommended that I volunteer for the Interactive component of SXSW. His name is Dr. Wei Yeh (who joined the SXSW staff full-time in 2010). He and others in the department exposed me to the fast-evolving digital world — inspiring me to put down my guitar and pick up code. My new rock’n’roll.

    I volunteered for SXSW Interactive in March 2000, where I first met my future director, mentor and friend Hugh Forrest. Thanks to a strong recommendation from Wei, in November of that year I was hired to coordinate what was then known as the SXSW Web Awards. Back then the event attracted hundreds of registrants instead of the thousands it draws today. The Interactive team at the time was just Hugh, Jason McVearry and me (pictured above on a trip to the Webbys in 2001).

    Those days were quite a struggle for SXSW Interactive. Few understood the value of a generalist tech event that focused on creativity, whose identity was at the intersection of industries and somewhat lost in the bursting of the dot-com bubble. And no one at the company was all that concerned with what we were doing either. We operated like a skunkworks of sorts, throwing ideas and strategies against the wall to see what stuck. Experimentation and iteration. Rinse and repeat. That 2001-2005 period helped us develop the processes and brains to grow the event into what it is today.

    So many wonderful memories. Too many treasured experiences to share here.

    I’m proud of what I’ve helped build at SXSW Interactive, and the role it plays as a community platform. The Internet IRL. But more than anything, I’m proud of the team at SXSW. I’m eternally grateful to my soon-to-be former cohorts for all that we have experienced and learned together. It’s been one hell of a ride, and they already know that we will remain family. I’m also forever thankful to founder Roland Swenson and Hugh for their caring guidance over the years. They’ve seen me through the ups and downs.

    What am I up to next? Honestly, I’m not really sure.

    My son starts kindergarden this fall, so I plan to spend as much time with him as possible until the first day of school. I plan to go on more bike rides, clear my thoughts, remove a decade of stress from my body, and figure out what I want to be when I grow up.

    Otherwise, I’m keeping my eyes and ears open to new opportunities, possibilities, futures — as well as doing some consulting in the short-term.

    Now is the time for new efforts and fresh challenges. To cast away any fear of failure that once sabotaged the musician in me. To accept the range of wild emotions that I am feeling in this moment.

    The future is wide open. And right now, that’s the best feeling of all.

  • Foursome

    If you haven’t already heard via my tweets or G+, there is a very good reason I have been quiet as of late. We are currently adjusting to being a foursome with our newest addition to Team O’Keefe: Mabel Corinne.

    And today she celebrates four weeks on the outside.

    Team O'Keefe

  • goodbye facebook

    You have to understand, most of these people are not ready to be unplugged. And many of them are so inured, so hopelessly dependent on the system, that they will fight to protect it.” Morpheus, The Matrix

    I’ve thought long and hard about this one, but today I deactivated my Facebook account.
    (more…)

  • operation lil’ hazelnut

    Some of you might recall my little post titled “Project Number One” almost 2 1/2 years ago — we now call him “Ian” of course.

    Along similar lines, I’m very excited to reveal that our little family will become a quartet at the end of March:

    Operation Lil Hazelnut

    And just this morning, we discovered that this baby is a “she”! Any tips or advice on how to raise a daughter or start a shotgun collection are very much appreciated.

  • rock’n’roll + typography = rockthatfont.com

    rockthatfont.com why have i been so quiet as of late? well, i’d like to introduce you to one of those reasons: rockthatfont.com

    it’s a fun little project that i’ve had in the works for quite some time. a big hug to pals eric hurtgen and les jacobs for joining me on this adventure.

    explore the site and let us know what you think. then keep an eye out for some new community-based shenanigans in the near future — as we still have a few tricks up our, uh… sleeves.

  • when is a design worth saving?

    great design is often loved by some — and hated by many others. but regardless, it provokes.

    scirocco such is the case with my recent purchase of a 1978 volkswagen scirocco champagne edition ii. the amount of surface rust and missing parts really puts the project in project car, aesthetically challenging my neighbors even as it sits covered in my driveway. despite significant issues (the previous owner was attempting to create the ultimate scca race car) and my love/hate relationship with cars due to their environmental impact… i believe it to be well worth saving.

    the scirocco was designed by giorgetto giugiaro, named car designer of the century in 1999. from wikipedia:

    “Noted initially for such sensuous efforts as the Ferrari 250 Berlinetta Bertone, De Tomaso Mangusta, Iso Grifo and Maserati Ghibli, Giugiaro switched courses to introduce the highly angular ‘folded paper’ era of the 1970s. Straight lined designs such as the BMW M1, Maserati Bora, and Maserati Merak followed before a softer approach returned in the Lamborghini Cala, Maserati Spyder, Ferrari GG50.”

    in addition to various supercars and a laundry list of popular everyday cars, giugiaro has designed nikon camera bodies, computer prototypes for apple and even a new pasta shape called “marille” in 1983.

    future plans for my particular specimen include new tires, a non-cracked windshield, an actual dashboard, some seats, and potentially a tdi engine swap to run biodiesel. a ginormous amount of tlc will be required to get it streetable again, but i think i just might be up for the challenge.

    one less car in the landfill, particularly if a special and rare design, is a good thing in my book.

  • look ma, no ink with austin laser art

    laser-etched biz card
    this post officially ends my blogging hiatus. thought i would once again start sharing a bit more on the interwebs, at least in batches longer than 140 characters…

    even though i’m short on time these days, i love busting out small / personal / miscellaneous design projects when i get the chance. i thought i would take a moment to share one of my latest…

    laser-etched business cards rather than do the awesome-but-familiar moo cards, i wanted to make a little business card with just my personal contact information.

    years ago i whipped up a card via a web vendor and ended up with a fancy plastic card. it was dark transparent gray with white text in agency bold (a font by david berlow from atf agency gothic by morris fuller benton). sure the plastic cards looked pretty cool, but they had the sharpest corners ever. you couldn’t write on them, but boy you could use them as a weapon if absolutely necessary. super-cool looks + lack of practical functionality = fail.

    this time around i wanted to get it right. parameters included: ability to write on the card, eco-friendly paper and ink (or lack thereof), and possibility for card recipient to easily pass along my contact information if so desired (double-sided / tear in half). i picked up some nice stock from french paper (their blog is a great source of inspiration) and developed a few variations using stainless extended.

    special thanks to aaron haley at austin laser art. can’t recommend his services highly enough.

  • project number one

    per a little something i hinted at in my previous post, i’m happy to reveal that adrienne and i will be launching a very special project around may 21 of next year. this 2001-esque image should provide enough of an explanation…

    the above was taken a while back… we’re now 17 weeks into this new adventure. (apologies to all we have not yet been able to tell in person.)

    and too soon to know whether it’s a boy or girl by the way. may opt for a nice surprise on that issue in any case. more to come. all fingers and toes crossed.